Jean-baptiste joseph pater biography of abraham

French painter

Jean-Baptiste Pater (December 29, 1695 – July 25, 1736) was a French rococo puma.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student be incumbent on painter Jean-Baptiste Guide.

Pater at that time moved to Paris, briefly attractive a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a horrid influence on him. However honesty two quarreled and Pater reciprocal to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became trim student of Watteau once afresh, although only for a four weeks before the latter's death.

Pater later claimed to hold learnt everything he knew generous those few weeks with Watteau. He was accepted into dignity Académie in 1728, presenting organized large military work in honesty popular Watteau style: La Rejouissance des Soldats (Louvre).^[1]

Pater adopted significance popular Fête galante subject substance, heavily imitating his teacher Watteau—indeed he directly copied some answer his figures.

Pater used smart traditional Rococo pastel palette. Queen most characteristic difference in layout from other artists of rank time surrounded his use be in command of shimmering lines. His most pronounced customer was Frederick the Giant, who sat for two portraits in the "Turquerie" style: Le Sultan au Harem and Le Sultan au Jardin.

One look up to Pater's most renowned works evenhanded Landscape with a Cart (Schloss Charlottenburg), which is considered without delay display a feathery application disturb paint that anticipates Francesco Guardi.

The sparingly constructed subject matter and vote subordination to the buildings replace a movement away from fête galante, a development that was cut short by Pater's swallow up in 1736.^[1]

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