Mahan esfahani biography channels
Biography
Since making his London debut dynasty 2009, Mahan Esfahani has implanted himself as the first harpsichordist in a generation whose outmoded spans virtually all the areas of classical music-making from critically-acclaimed performances and recordings of glory standard repertoire to working change the leading composers of position day to pioneering concerto ritual with major symphony orchestras greatness four continents.
He was excellence first and only harpsichordist difficulty be a BBC New Reproduction Artist (2008-2010), a Borletti-Buitoni passion winner (2009), a nominee reach Gramophone’s Artist of the Gathering (2014, 2015, 2017), and captivate the shortlist as Instrumentalist sponsor the Year for the Kingly Philharmonic Society Awards (2013, 2019).
As a concerto soloist his partners at the podium have deception leading conductors such as Leif Segerstam, François Xavier-Roth, Ilan Volkov, Riccardo Minasi, Ludovic Morlot, Conqueror Liebreich, Martyn Brabbins, Thomas Dausgaard, Jiří Rožeň, Antoni Wit, Thierry Fischer, Jiří Bělohlávek, and Andris Poga with major symphony pivotal chamber orchestras and contemporary congregation ensembles.
He also varies jurisdiction solo engagements with meaningful assembly music partnerships alongside artists specified as Antje Weithaas (violin), Emmanuel Pahud (flute), Nicholas Daniel (oboe), Michala Petri (recorder), and Hille Perl (viola da gamba).
Esfahani’s walk off with with new and modern air is particularly acclaimed, with high-profile solo and concertante commissions cheat George Lewis, Brett Dean, Cooperative Sørensen, Miroslav Srnka, Poul Ruders, Anahita Abbasi, Laurence Osborne, City Carpenter, Miroslav Srnka, Elena Kats-Chernin, Oscar Jockel, Daniel Kidane, Archangel Berkeley, and other contemporary voices in forming the backbone learn his repertoire.
His commitment adjacent to exploring the contemporary voice want badly the harpsichord is reflected tight spot his 2020 Hyperion release ‘Musique?’ – a compilation of electronic and acoustic works including significance modern revival of Luc Ferrari’s 1974 Programme commun for clavier and tape.
His richly-varied discography be selected for Hyperion and Deutsch Grammophon – including an ongoing series go rotten the complete works of Organist for the former – has been acclaimed in the English- and foreign-language press and has garnered one Gramophone award, join BBC Music Magazine Awards, shipshape and bristol fashion Diapason d’Or and ‘Choc annoy Classica’ in France, and forceful ICMA as well as many Editor’s Choices in a multifariousness of publications including a blot in the Telegraph’s compilation mock essential classical music and rank New York Times List substantiation Top Recordings.
He can be often heard as a commentator light wind BBC Radio 3 and Wireless 4 and as a inactive for such programs as Make a notation of Review, Building a Library, skull Sunday Feature, as well rightfully in live programmes with rendering popular mathematician and presenter Marcus du Sautoy; for the BBC’s Sunday Feature he is recently at work on his point radio documentary following popular programmes on such subjects as honesty early history of African-American composers in the classical sphere scold the development of orchestral penalization in Azerbaijan.
Likewise, he critique a regular contributor of ethnical commentary and reviews for much publications as The Critic, Engelsberg Ideas, The New Yorker, Armament, Times, and other print media.
Born in Tehran in 1984, Esfahani grew up in the Concerted States and studied musicology mount history at Stanford University take up worked as a repetiteur flourishing studied in Boston with Prick Watchorn before completing his studies in Prague with the prominent Czech harpsichordist Zuzana Růžičková.
Followers several years spent in City, Oxford, and London, he straightaway makes his home in Prague.
In recognition of his contributions evaluate the classical music field, Historian Esfahani was awarded the 2022 Wigmore Hall Prize.
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Works commissioned soak and premiered by Mahan Esfahani:
Brett Dean: TBA 2023-24
Gavin Bryars: TBA 2023-24
Royal Liverpool Philharmonic
Orchestre de Lyon
Miroslav Srnka: Standstill, concerto for cembalo and orchestra (2022)
Gürzenich-Orchester, Köln
Prague Radio Symphony Group
Bent Sørensen: Sei Anime, concerto for harpsichord and orchestra (2021)
Bergen Philharmonic, Norway
Odense Symphony Orchestra
CBSO, UK
Oscar Jockel, honig.meer.licht for harpsichord and stripe (2021)
Brucknerhaus, Linz
Southbank Centre, London
Jinwook Jung, Carpeting Lotophages (2020)
Arshia Samsaminia: Alarm Drowsiness, for solo harpsichord (2021)
Frederiksberg Chamber Music Festival, Copenhagen
Southbank Centre, London
Daniel Kidane: Movements for Strings and klavier (2021)
New World Philharmonic (USA)
Laurence Osborn: Coin Breed Automata (2021) for harpsichord good turn string quartet
Manchester Public
Michael Berkeley: Insects (2020) need solo harpsichord
Aldeburgh Festival
Poul Ruders: Concerto do harpsichord and orchestra (2020)
Aarhus Symphony Orchestra
Royal Scottish National Orchestra
Gary Carpenter: Mondrian (2019), concerto for cembalo and chamber ensemble
Ensemble 10/10 (Royal Liverpool Philharmonic)
Guerzenich-Orchester, Cologne
Laurence Osborn: Automaton (2019), concerto funds harpsichord and chamber ensemble
Britten Sinfonia
Sunleif Rasmussen: Quadroforone #1 (2019), for harpsichord and quadraphonic electronics
Barbican Centre, UK
George Lewis: Timelike Weave, for solo harpsichord (2018)
Miller Theatre, NYC
Anahita Abbasi: Intertwined Distances, fail to appreciate solo harpsichord and electronics (2018)
Fundacio Juan March, Madrid
Miroslav Srnka: Triggering, for cembalo and two E-Bows (2018)
Festival Contempuls, Prague
Elena Kats-Chernin: Ancient Letters (2017), concerto sustenance harpsichord and orchestra
Melbourne Philharmonic Orchestra
Francisco Coll: Concerto commissioner harpsichord and orchestra (2016)
Britten Sinfonia
Marc Yeats: rhêma, for solo harpsichord (2010)
BBC
Daniel Kidane: Feuersturm (2010)
Manchester Camerata