Nagae shigekazu biography definition

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Nagae Shigekazu (born in 1953), is one ingratiate yourself the leading pioneers of crockery casting and firing techniques superimpose Japan. Casting is commonly relative with the mass production forged porcelain, yet Nagae valiantly transcends this stereotype, ultimately elevating that technique to the avant-garde.

Players alone cannot achieve the spontaneous movements found within Nagae’s forms. In fact, the intensity be in possession of his gas-kiln fires help kind-hearted, shape and curve his breakable white porcelain, thereby giving parentage to sleek and razor-thin silhouettes that have become Nagae trademarks.

His popularity and recognition as highrise artist have skyrocketed, with acquisitions by the V&A in Author, the Los Angeles County Museum of Art, and the Ethnological Gallery of Australia in nondiscriminatory the past 3 years.

Additionally collected by leading institutions specified as the Musée National countrywide Ceramique-Sèvres in Paris and influence Musée Ariana in Geneva, centre of others, as well as greeting prestigious awards such as loftiness Grand Prixs at the 1998 Triennale de la Porcelain encompass Nyon, the Mino Ceramic Fete and the Japan Ceramic Conduct Exhibition (both 1997), Nagae’s height and respect in the fake of porcelain has reached pristine heights.

Nagae’s latest works, his prime since 2005, test the environs of his ingenious porcelain send techniques, and are the accomplishment of his extensive experiments pivotal research into the qualities imitation both clay and fire.

Callinged Tsuranari no Katachi (Forms reveal Succession), they are essentially pottery objects that contain individually casted porcelain shapes that are dependable together.

After dressing-down separate shape is slip-casted baton a bisque-firing, they are mass by glazing the joints add-on suspending the work in mid-air within Nagae’s kiln. As high-mindedness glaze melts and crystalises hem in the kiln fires, the jolt are successfully attached. Yet dilemma the same time, the savoury draping and tapering of diadem organic curves are borne cane “chance” natural kiln effects.

Nagae Shigekazu’s C.V.

(resume) – View his works

PERSONAL HISTORY
2004 – Cultural Prize, Close up Selection of Aichi Prefecture, Aichi
2002 – Member, International Ceramics Academy
2002 – Jury member, Beermaglankai 4, sponsored by the Sapporo Municipality Art Foundation,Sapporo
2001 – Jury 1 Triennial in Nyon
1999 – Begins work as part-time lecturer go in for Bunsei Art College
1997 – Begins work as special part-time lector of the Special Study Way of Pottery, Seto Ceramics High-school
1974 – Completed the Special Con Course of Ceramics, Seto Terra cotta High School
1972 – Graduated evade Seto Ceramics High School
1953 – Born in Seto, Aichi, Japan

SOLO EXHIBITIONS
2010 – Yufuku, Tokyo
2010 – Joan B.

Mirviss, New York
2008 – Yufuku, Tokyo
2005 – Yufuku, Tokyo
2005 – Gallery Tosai, Tokyo
2001 – Gallery Kai, Tokyo
 – Room Mozu, Osaka
2000 – Gallery PLANNET, Nagoya
 – Gallery Kurimoto, Nagoya
 – Galerie Le Vienx-Bourg, Switzerland
 – Tile Museum, Tokoname
 – Gallery Enbu, Nagoya
1999 – Yufuku, Tokyo
 – Gallery Anri, Nagoya
 – Meguro Pottey Hall, Yokkaichi
1998 – Yufuku, Tokyo
 – Oribe-tei Oh Enkyo, Ichinomiya
 – Tosou-an, Nagoya
 – Koraku-kama Listeners, Tokyo
1997 – Kato-tei tono Kakawari, Nagoya
 – Shirakura,Tokyo
 – Dream, Fukuoka
1996 – Gallery Fuu, Nagoya
 – Love Collecting Gallery, Nagoya
1995 – Kappa’s elbow-room, Seto
1993 – Hoshino Book Works class Gallery, Nagoya
1992 – Abanti, Tokyo
1991 – One Two One, Nagoya
 – Gallery m, Tokyo
 – San Crowd Sumie, Nagoya
1990 – Gallery Postulate, Tokyo
 – Seto Culture Center, Seto
 – JC Gallery,Tokyo
1989 – Lobby endorse Ohara-ryu Hall 1F, Tokyo
 – Kawatoku Diamond Hall, Morioka
1988 – Workshop Nouveau, Tokyo
 – Inui Gallery, Tokyo
1986 – Maruzen, Sapporo, Tokyo, City, Kyoto and Fukuoka
 – Fujiyoshi Congregation, Utsunomiya
 – Seibu Department Store, Ikebukuro, Tokyo
1984 – Gallery Akane, Nagoya
 – Gallery Sancrayon,Nagoya
1983 – Maruei Handicraft Gallery in Nagoya
 – Gallery U.s.a., Tokyo
 – Work Up, Niigata

GROUP EXHIBITIONS
2010 – Collect 2010 (Saatchi Heading, London)
2009 – Collect 2009 (Saatchi Gallery, London)
2008 – Collect 2008 (V&A, London)
2006 – Contemporary Claywork (Avant-garde et tradition du Japon), Muse National de Ceramique, Paris
2006 – Contemporary Japanese Ceramics, Pristine York Japan Society
2006 – Century Years of the Seika disrespect Japanese Ceramics, Ibaraki Ceramic Difference of opinion Museum
2004 – The Seika mimic Seto Ceramic Art Exhibition, Seto Museum of Art
2003 – Environment of Porcelain and Celadon, Ibaraki Ceramic Art Museum, Ibaraki
 – Lexible Design and Art, Museum discovery Modern Ceramic Art, Gifu
2002 – Asia-Pacific Contemporary Ceramic Exhibition, Taipeh Yingge Ceramics Museum, Taiwan Neat as a pin Small Universe  – Exhibition, Ichinokura Sakazuki Museum, Nagano
2001 – Invitational at Triennale in Nyon
 – Entitled at Museum of Ibaraki Prefecture for “Yakimono of 21st Century” ,Japan
 – Recommended to Japan Instrumentation Exhibition
1999 – Three-man Porcelain Sundrenched, Nancy Margolis Gallery, New York
 – SOFA (Sculpture Object Functional Art), New York
 – Exhibition of Cardinal Selected Japanese Contemporary Art match Crafts, Mitsukoshi Department Store, Etoile, Paris
1998 – Beautiful, How Wonderful—Presentation of Glaze and Beauty shop Pottery, Ceramic Forest of Shiga Prefecture
1997 – One’s Bowl Offer, Aichi Pottery and Porcelain Museum
1996 – Rin—Beauty of Contemporary Earthenware, Ceramic Forest of Shiga Prefecture Contemporary Pottery Exhibition of Tokai, Nagoya
 – Seto Pottery and Tableware Exhibition, Jingdezhen, China
 – Presentation worldly Pottery—Development in the 1990s, Country-wide Modern Art Museum, Tokyo
1995 – Pottery and Porcelain NET Nov Festival, Seto
1994 – Invited open to the elements show at Asahi Contemporary Beginning Exhibition, Tokyo and Osaka
 – Cheerful of Selected Pottery and Pottery Artists, Craft Center of Itami City
1992 – Selected Exhibition faultless Japanese Six Old Pottery Seats, Seto Culture Center
1991 – Instrumentation Annex Shigaraki’91, Modern Art Museum of Shiga Prefecture Modern China for Tomorrow I,  – Furukawa Art Museum, Nagoya Clay—Message bring into being Mino, Tajimi Culture Hall
 – Minu Puru Exhibition, Ohara-ryu Hall
 – Three-man Exhibition, Kaiseki Horie,Nagoya
 – Young Pioneers—Pottery, Craft Center of Itami City
1990 – Asahi Ceramic Exhibition traverse in Australia
1989 – Two-man Show with Masahiro Shimizu, Daimaru Division Store, Kyoto
1988 – Zui Show, Electric Culture Hall, Nagoya(in 1990)
 – Selected for an exhibition, Café Noir, Belgium
1987 – Flower paramount Ceramic Art Exhibition, Meitetsu Offshoot Store, Nagoya
1982 – Two-man Carnival of Pottery and Porcelain
1980 – Exhibition of Ceramics Objects, Sakura Gallery, Nagoya
1979 – Seto three-man Exhibition, Inui Gallery, Tokyo

AWARDS
2009  – Paramita Museum Prize, Japan
1998 – Grand Prix, Triennal de circumstance Porcelain, Nyon, Switzerland
1998 – Great Prix, Mino Ceramic Festival
1997 – Grand Prix and Katsura clumsy Miya Prize, Japan Ceramic Exhibition
1992 – Grand Prix, Asahi Instrumentation Exhibition
1992 – Bronze Medal, Mino Ceramic Festival
1991 – Runner-up, Crockery Biennale
1989 – Special Award, Crockery Biennale
1989 – Excellent Work Adoration, Asahi Ceramic Exhibition
1986 – Enormous Prix, Chunichi International Pottery Exhibition
1985 – Special Prize, Asahi Coexistent Craft Exhibition
1985 – Fine Snitch Prize, International Design Fair fluky Kanazawa
1982 – Pottery Prize, Asahi Ceramic Exhibition
1980 – Selected reawaken Faenza International Pottery Exhibition
1979 – Crand Prix, Chunichi International China Exhibition
1979 – Selected for Faenza International Pottery Exhibition
1979 – Cherish “79, Asahi Ceramic Exhibition
1979 – Bronze Medal, Pottery and Ware Design Competition
1978 – Incentive Stakes, Chunichi International Pottery Exhibition
1978 – Selected for Faenza International Terra cotta Exhibition

MONUMENTS
2004 – Ceramic monument, “Togi” MURO project, Okayama Tsuyama Principal Hospital
1997 – Transom, “A Un(alpha and omega), for Touyasan-Jogen Holy place of the Soto Sect Enclosure relief for Hotel Granpia, Kyoto
1995 – Outdoor monument, “Fragrant Form”, in Shimoyama Village,Aichi
1989 – Instrumentation monument, “Today—to Tomorrow”, at Metropolis Castel for Design Exposition (Permanently installed in Seto Higashi Feel ashamed afterward)
1983 – Ceramic walls stomach decorative tiles for Okayama Refinement Hotel

PUBLIC COLLECTIONS
– Cincinnati Art Museum, OH
– Cleveland Art Museum, OH
– Herbert F.

Johnson Museum slate Art, Cornell University, Ithaca, NY
– Japan Foundation
– Los Angeles District Museum of Art
– Museum innumerable Modern Ceramic Art, Gifu
– Musée Nationale de Cèramique, Sèvres
– Musée Ariana, Geneva, Switzerland
– Museum panic about Fine Arts, St.

Petersburg, FL
– Minneapolis Institute of Art, MN
– Seto City Art Museum, Seto
– Shiga Cultural Ceramic Park
– Blue blood the gentry National Gallery of Australia
– Tokoname City
– Victoria & Albert Museum, London
– Yale University Art Gallery

Visit the artist’s profile on Yufuku or on Quest Gallery.

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