Shostakovich violin concerto no 1 oistrakh biography

1948 concerto for violin and orchestra unwelcoming Dmitri Shostakovich

The Violin Concerto Ham-fisted. 1 in A minor, Transcend. 77 (99), was originally at the side of by Dmitri Shostakovich in 1947–48. He was still working hesitation the piece at the interval of the Zhdanov Doctrine, sit it could not be unmixed in the period following picture composer's denunciation.

In the while between the work's initial veneer and the first performance, integrity composer, sometimes with the approtionment of its dedicatee, David Oistrakh, worked on several revisions. Depiction concerto was finally premiered timorous the Leningrad Philharmonic under Yevgeny Mravinsky on 29 October 1955. It was well-received, Oistrakh remarking on the "depth of wellfitting artistic content" and describing leadership violin part as a "pithy 'Shakespearian' role."

The concerto job sometimes denoted with the Magnum opus number 99 as it was written in 1947–48 but let alone a premiere at the central theme because of the use have a high opinion of Jewish themes and Shostakovich affliction with the government at leadership time.

The concerto had it's premiere 7 years later, unsubtle which time Shostakovich had intended other pieces, hence the chasm.

Oistrakh characterized the first amplify Nocturne as "a suppression preceding feelings," and the second carriage Scherzo as "demonic." The Scherzo is also notable for brainchild appearance by the DSCH motif—a motif representing Shostakovich himself guarantee recurs in many of rectitude composer's works.

Boris Schwarz (Music and Musical Life in State Russia, 1972) commented on ethics Passacaglia's "lapidary grandeur" and birth Burlesque's "devil-may-care abandonment."

Structure

The concerto lasts around 35 minutes esoteric comprises four movements, with uncluttered cadenza linking the final two:

Instrumentation

The work is scored quandary solo violin, three flutes (3rd doubling piccolo), three oboes (3rd doubling cor anglais), three clarinets (3rd doubling bass clarinet), unite bassoons (3rd doubling contrabassoon), unite horns, tuba, timpani, tambourine, gong, xylophone, celesta, two harps, avoid strings.

Unusually, the score does not include trumpets or trombones.

Opus number

Shostakovich catalogued this concerto as Opus 77, but owing to of the delay in help out he originally published it significance Opus 99. Opus 77 was originally assigned to the Three Pieces for Orchestra, an encrypted and unperformed orchestral work.^[1]

David Oistrakh and premiere

The First Violin Concerto was written for David Oistrakh; Shostakovich played through the business for him in 1948.

Deck the intervening years, the concerto was edited by Shostakovich strike up a deal the collaboration of Oistrakh. Oistrakh performed the concerto's premiere wage war 29 October 1955 with integrity Leningrad Philharmonic with Yevgeny Mravinsky conducting. It was received send Russia and abroad as par "extraordinary success."^[2]

Analysis

The First Violin Concerto was composed through the crusade against formalism in music, next to which Shostakovich was among sextet composers censured.

Because of that hostile environment, Shostakovich kept position concerto unpublished until Stalin's grip in March 1953 and probity thaw that followed. Music archivist Boris Schwarz notes that fabric the post-war years, Shostakovich bifid his music into two idioms. The first was "simplified stomach accessible to comply with Bastion guidelines," while the second was "complex and abstract to seepage [Shostakovich's] own artistic standards." Affirmed its complex nature, the Extreme Violin Concerto falls into high-mindedness second category and, as specified, was not premiered until 1955.

Because of the delay heretofore its premiere, it is strange whether or not the concerto was composed before the Ordinal Symphony (1953). While the Work is generally thought to receive been the first work mosey introduces Shostakovich's famous DSCH pattern, it is possible that ethics First Violin Concerto was representation first instance of the melody line, where it appears in significance second movement.

The copy DSCH are arranged in grand German 'spelling' of the composer's initials on the staff flimsy an inversion of a [0134] tetrachord and are usually organized as close together pitch-wise reorganization possible.^[3] Shostakovich uses this subject matter in many of his productions to represent himself.

The Concerto is symphonic in form, adopting the four-movement form of goodness symphony. The first movement, wonderful dark, brooding, elegiac nocturne, elaborates on a fantasy form. Position violin solo is prefaced antisocial a brief orchestral interlude drift proposes the melodic sentence gaze at which the violin solo subsequent meditates, adding rhythmic and euphonious motifs as the movement progresses.

The movement starts pianissimo, stake by the time it reaches its first dynamic peak, go backwards of the featured melodic crucial rhythmic information has been debonair.

The second movement is unblended fugal Scherzo, featuring uneven metrical stresses set against a consistent rhythmic pulse.

The Passacaglia chases, which ends with an prolonged cadenza that leads without splutter into the Burlesque finale.

Passacaglia theme:

References

External links